Book 1 : A Shadowin the Ember - Recap and Summary

Book 1: A Shadow in the Ember
Summary
A Shadow in the Ember by Jennifer L. Armentrout follows Seraphena "Sera" Mierel, a young woman destined to seduce and kill Nyktos, the Primal of Death, in order to save her kingdom. Raised for this mission, Sera is shocked when Nyktos turns out to be more complex and kind than she expected. As she grows closer to him, she begins to question her mission and the secrets her family has kept from her. Torn between duty and desire, Sera must decide if she will follow through with her deadly plan or trust Nyktos and uncover the truth about her world.The book explores themes of fate, power, trust, and sacrifice. Sera's internal struggle between her duty and her heart creates much of the emotional tension. The world-building is rich with gods, magic, and the politics of immortals, giving the story a grand, mythological feel.This book is set in the same universe as the Blood and Ash series but serves as a prequel, diving deeper into the lore of the gods and the Primal powers. While you don’t have to read Blood and Ash to enjoy this book, fans of the series will recognize familiar elements and characters that tie the stories together.

Book 1: A Shadow in the Ember
Summary
A Shadow in the Ember by Jennifer L. Armentrout follows Seraphena "Sera" Mierel, a young woman destined to seduce and kill Nyktos, the Primal of Death, in order to save her kingdom. Raised for this mission, Sera is shocked when Nyktos turns out to be more complex and kind than she expected. As she grows closer to him, she begins to question her mission and the secrets her family has kept from her. Torn between duty and desire, Sera must decide if she will follow through with her deadly plan or trust Nyktos and uncover the truth about her world.The book explores themes of fate, power, trust, and sacrifice. Sera's internal struggle between her duty and her heart creates much of the emotional tension. The world-building is rich with gods, magic, and the politics of immortals, giving the story a grand, mythological feel.This book is set in the same universe as the Blood and Ash series but serves as a prequel, diving deeper into the lore of the gods and the Primal powers. While you don’t have to read Blood and Ash to enjoy this book, fans of the series will recognize familiar elements and characters that tie the stories together.
***Chapter Recaps***
Sera’s gown is sheer and revealing, designed to entice the Primal. As she gazes at her reflection, her thoughts reveal a complex emotional state — she feels nervous and uneasy, despite knowing she has spent her entire life preparing for this moment.
Her mother, Queen Calliphe, enters the room and inspects her, adjusting her dress and placing the Veil of the Chosen over her head. This veil symbolizes her destiny, her role as the Maiden destined to serve a Primal. Unlike the other Chosen, her true fate is hidden from everyone but her immediate family and a few trusted individuals.
Tavius, her stepbrother and a cruel, arrogant man, mocks her nervousness, taunting her about the Primal’s rumored monstrous appearance and fangs. He knows Sera has been trained not only to be the Primal’s Consort but also to make him fall in love with her so she can kill him — a secret weapon hidden in the heart of the deal.
Sera, trained in combat, easily defends herself from Tavius’ unwelcome advances and threats, but she is still plagued with dread as the time for the Primal’s arrival draws near.
As Sera is led to the temple, she passes the silent Shadow Priests, men who have stitched their lips closed in dedication to their oath. Inside the dark temple, Sera takes her place on one of two thrones, waiting for the Primal. The tension rises as she sits alone, anxious and questioning whether he will even show up.
Finally, a rumble shakes the temple, and the air splits open with crackling light and mist, signaling the arrival of the Primal of Death. Shrouded in shadows and surrounded by ominous mist, the Primal appears before Sera. She tries to maintain the composure she was trained for, but real terror grips her as she faces him. He speaks only to say, “I have no need of a Consort,” before vanishing, leaving Sera stunned and abandoned.
Sera’s mother, furious and panicked, slaps her, accusing her of failing the kingdom. Sera is left devastated, confused, and feeling like everything has crumbled around her. The prologue ends with the chilling realization that the Primal has rejected her, and now, the fate of Lasania hangs in the balance, seemingly lost.
Chapter 1 Recap - A Shadow in the Ember
Setting: The Great Hall of Wayfair Castle (Three Years After the Failed Summoning)The chapter opens in the Great Hall of Wayfair Castle, a grand and stately room filled with tension. The scene takes place during a negotiation between the royal family of Lasania and Lord Claus of the Vodina Isles. Sera (Seraphena), the protagonist, watches silently from the shadows as the Lord strides confidently down the center of the hall. He is a rough-hewn, sun-tanned man, clearly hardened by his lifestyle, and he carries a burlap sack—an ominous clue about how the conversation will unfold.
Characters in the Hall:
- King Ernald sits on a jeweled throne, showing desperation and hope in his expression. The kingdom of Lasania is in decline, and Ernald seeks assistance.
- Queen Calliphe, Sera’s mother, sits rigidly beside him. She shows no emotion, as she often does when dealing with state matters, but her sharp tone indicates disapproval of Lord Claus's presence.
- Tavius, Sera’s cruel stepbrother, stands bored and uninterested, his mind likely elsewhere, revealing his irresponsibility.
- Sera, hidden in an alcove, remains observant but detached, masking her true emotions and identity. She is no longer the promised Consort, having failed to secure the Primal of Death's affection three years earlier.
Tense Negotiations:
The Vodina Isles have been offered Lasania's allegiance in exchange for aid to combat the kingdom’s worsening agricultural crisis. However, Lord Claus’s presence already signals disdain. He doesn’t speak for royalty, and his actions show that he feels Lasania’s offer is beneath him. Queen Calliphe’s crisp voice cuts through the warm, oppressive air, making it clear she did not expect a response from someone so low in the hierarchy of the Vodina Isles.
Lord Claus’s silence is disrespectful, and he seems more interested in surveying the hall and its occupants, lingering suggestively on Sera despite her hiding in the shadows. His gaze is unwelcome, and Sera maintains a stoic expression as she watches the scene unfold, though her anger simmers below the surface.
A Shocking Act:
When Queen Calliphe presses him for an answer, Claus tosses the burlap sack he’s been holding. It hits the marble floor with a wet thud, revealing the severed head of Lord Sarros, the Advisor to the Queen and King. The grisly sight stuns the room. Tavius, shocked and disgusted, steps back, while Sir Holland, a knight and mentor to Sera, dryly comments on the unexpected violence.
Lord Claus then mocks the royal family, rejecting their offer. He cruelly suggests that Lasania’s allegiance is worthless. He even goes so far as to suggest that adding Sera (whom he believes is a mere handmaiden) to the deal might convince him to reconsider. Queen Calliphe coldly shuts down his vulgar proposal, but Claus's words sting. Sera remains outwardly unaffected, but internally, she suppresses her rage and the deep sense of being undervalued.
Queen Calliphe’s Command:
After Claus departs with mocking laughter, Queen Calliphe turns her attention to Sera. For the first time in years, she acknowledges her daughter directly, ordering her to "show them what a hot piece you are"—a degrading comment meant to push Sera to act. The queen’s words wound Sera, but instead of reacting emotionally, she sinks into the familiar numbness that has become her shield. Sera accepts her mother’s command without argument, letting herself become the cold, detached tool of vengeance she’s been trained to be.
Sera’s Mission:
Sera leaves the Great Hall with a clear purpose: to kill Lord Claus and send a message to the Vodina Isles. She quickly makes her way through the castle, slipping into the streets of Carsodonia under the cover of darkness. Her destination is the docks, where the Vodina Isles ship is moored.
Carsodonia, the capital of Lasania, is alive with activity, but Sera moves like a shadow, her years of training evident in her stealth. She is no longer the naïve girl from three years ago. Her steps are silent, her movements precise, and she reaches the docks unnoticed.
Confrontation with Lord Claus:
At the docks, Sera finds Lord Claus. His arrogance continues as he mistakes her presence for something sexual, assuming that she’s been sent to appease him. His lewd comments and crude behavior disgust Sera, but she remains calm. When Claus reaches for her, she reveals the true reason for her visit.
In a swift and brutal confrontation, Sera easily overpowers Claus, using the skills she honed under Sir Holland’s tutelage. Claus underestimates her, as most men do, and pays for it with his life. Sera kills him efficiently with her shadowstone dagger, severing his spine. The kill is clean, calculated, and almost emotionless—a testament to how hardened Sera has become.
After killing Claus, Sera cuts the ropes anchoring the Vodina Isles ship, letting it drift away as a final insult. The message is clear: Lasania may be struggling, but it is not defenseless.
Sera’s Reflection:
As she walks away from the docks, blood still staining her arms, Sera reflects on her life since the failed summoning three years ago. She was summoned as the Primal’s Consort on her 17th, 18th, and 20th birthdays, but the Primal of Death never came. Each rejection further isolated her from her family, especially her mother, who barely speaks to her now.
Sera’s sense of purpose, once tied to her destiny as the Primal’s Consort, has eroded, leaving her feeling hollow. Her mother’s neglect and her stepbrother Tavius’s cruel behavior have only deepened her loneliness. Sera no longer has a place in the world—she’s a failed Maiden, a rejected Consort, and a daughter forgotten by her own family.
A New Threat:
The chapter closes with Sera crossing the dark streets, heading towards the Golden Bridge, when she stumbles upon a chilling scene. In a courtyard, a goddess is using eather—the powerful essence of the gods—to kill a mortal man. The sight of the man’s glowing veins and his agonizing death fills Sera with horror and fury, especially when the goddess and her companion discard a baby’s body alongside the man.
Furious, Sera reaches for her dagger, prepared to fight the gods despite the odds. But before she can act, someone grabs her from behind, pinning her arms and covering her mouth. The chapter ends with Sera trapped, her fate uncertain.
Chapter 2 Recap - A Shadow in the EmberThe chapter opens with Sera being grabbed by a
mysterious man who pulls her away from the courtyard where she had just
witnessed a group of gods slaughter a mortal and a baby. The male's voice, calm
but commanding, warns Sera that if she had gone after the gods, it would have
ended in her death. Despite her struggle to free herself, his strength and
speed are overwhelming, and she is carried easily into a vine tunnel nearby.
Tension Between Sera and the Stranger:
As
Sera tries to think of ways to escape, she begins analyzing her captor. He is
tall, broad, and strong, with a cool touch that reminds her of cold water.
Despite her attempts to kick him, he dodges her strikes with ease, finding her
struggles amusing. His voice is calm, almost bored, and he continues to warn
her that she’s acting impulsively and dangerously.
The mysterious man’s demeanor both frustrates and intrigues Sera. He suggests
that she should be grateful because he saved her from being killed by the gods,
but Sera is defiant, refusing to be grateful for something she didn’t ask for.
The man, however, is unperturbed by her resistance and keeps her tightly
restrained. When they hear the voices of the gods (Madis, Cressa, and Taric)
nearby, Sera becomes still, listening to their conversation.
The gods discuss how they must be "close" and speak casually about
what they’ve done, showing no remorse for the brutal murders. Sera silently
repeats their names, ensuring she won’t forget who they are.
The Interaction Escalates:
Once the gods leave, the male who is holding Sera finally releases his hand
from her mouth, but keeps his grip on her. He questions why she would even
consider going after the gods. Sera, still furious, argues that they killed a
child, and such an act should concern everyone. The man, however, calmly
explains that the actions of gods are not for mortals to interfere with, adding
that Sera should have known better. He suggests that she is reckless for trying
to confront the gods.
Despite his calm demeanor, Sera remains defiant, demanding that he let her go.
He warns her again that trying to fight the gods or running back to the scene
will only get her killed. His voice is tinged with frustration, as he finds
himself stuck helping someone who clearly doesn’t want his help. Sera is angry
and rebellious, but there’s an underlying tension between them that suggests a
growing connection.
An Intense Physical Struggle:
Sera tries to draw her dagger, but the man moves faster than she can react,
trapping her between the wall and his body. He pins her wrists above her head,
leaving her physically helpless. Despite her anger and frustration, Sera feels
the intense presence of the man, noting how close they are—his cool skin
against hers, his breath on her cheek. She can feel the sheer strength and
power radiating from him.
As Sera struggles against him, she realizes that he is not just any man. When
she finally looks up at his face, she sees silver eyes, glowing
with eather—the essence of gods. This man is a god.
The God’s Revelation:
The god acknowledges that Sera knows the rules: mortals should not interfere
with gods. But Sera, furious over the death of the baby, snaps back that the
murder of innocents should concern everyone, including gods. The god responds
with cold authority, telling her that the gods responsible will face
consequences for their actions. His words are chilling, and Sera senses that he
has the power to make them pay.
When the god senses the other gods approaching again, he acts
quickly, pulling Sera against him and urging her to wrap her legs around his
waist. His actions confuse Sera, but she complies, knowing that they need to
avoid detection. The physical closeness is overwhelming, but the god reassures
her by pressing his forehead to hers, maintaining a calm, almost intimate
demeanor.
The Kiss:
To blend in and avoid suspicion, the god tells Sera to kiss him.
Furious at being ordered, Sera kisses him aggressively, biting his lower lip in
defiance. This only seems to excite the god, who deepens the kiss passionately.
Sera is momentarily overwhelmed by the intensity of the kiss, feeling his fangs
graze her lips, which both terrifies and thrills her.
The kiss is electrifying and unlike anything Sera has ever
experienced. Despite the danger and the tension, she finds herself giving in to
the moment. The god’s hands move possessively over her body, pulling her closer
as the kiss intensifies. The kiss feels chaotic, powerful, and almost
addictive. For Sera, it is a wild release of all the pent-up emotions and
frustrations that have been building for years.
Aftermath of the Kiss:
After the gods pass by, the god pulls away, his forehead resting
against hers as they catch their breath. He releases her from his hold, and for
a brief moment, the two stand close together, sharing the aftermath of the
intense kiss. The god, still calm and confident, remarks that she was “quite
convincing,” hinting that the kiss was part of the act to avoid detection.
Sera, still reeling from the kiss, tries to regain her composure. The god
teasingly apologizes for drawing blood from her lip during the kiss, adding
that he wasn’t pretending to enjoy it. His flirtatious comment irritates Sera,
but there’s an undeniable connection between them.
Sera’s Defiance:
Despite the strange encounter, Sera is not one to back down
easily. When the god suggests that she should return home, Sera refuses,
stating that she has her own plans. The god seems amused by her defiance but
doesn’t stop her. As Sera walks away, she can feel the god watching her, and a
part of her feels strange leaving him behind. There is an unexplainable pull
between them, one that Sera can’t quite understand.
However, she forces herself to leave, determined to continue on her path, even
though the encounter with the god has left a profound impact on her.
This chapter sets the stage for the complex dynamic between Sera
and this mysterious god, as well as the dangerous world of gods and mortals she
is navigating.
- King Ernald sits on a jeweled throne, showing desperation and hope in his expression. The kingdom of Lasania is in decline, and Ernald seeks assistance.
- Queen Calliphe, Sera’s mother, sits rigidly beside him. She shows no emotion, as she often does when dealing with state matters, but her sharp tone indicates disapproval of Lord Claus's presence.
- Tavius, Sera’s cruel stepbrother, stands bored and uninterested, his mind likely elsewhere, revealing his irresponsibility.
- Sera, hidden in an alcove, remains observant but detached, masking her true emotions and identity. She is no longer the promised Consort, having failed to secure the Primal of Death's affection three years earlier.
The Vodina Isles have been offered Lasania's allegiance in exchange for aid to combat the kingdom’s worsening agricultural crisis. However, Lord Claus’s presence already signals disdain. He doesn’t speak for royalty, and his actions show that he feels Lasania’s offer is beneath him. Queen Calliphe’s crisp voice cuts through the warm, oppressive air, making it clear she did not expect a response from someone so low in the hierarchy of the Vodina Isles.
Lord Claus’s silence is disrespectful, and he seems more interested in surveying the hall and its occupants, lingering suggestively on Sera despite her hiding in the shadows. His gaze is unwelcome, and Sera maintains a stoic expression as she watches the scene unfold, though her anger simmers below the surface.
When Queen Calliphe presses him for an answer, Claus tosses the burlap sack he’s been holding. It hits the marble floor with a wet thud, revealing the severed head of Lord Sarros, the Advisor to the Queen and King. The grisly sight stuns the room. Tavius, shocked and disgusted, steps back, while Sir Holland, a knight and mentor to Sera, dryly comments on the unexpected violence.
Lord Claus then mocks the royal family, rejecting their offer. He cruelly suggests that Lasania’s allegiance is worthless. He even goes so far as to suggest that adding Sera (whom he believes is a mere handmaiden) to the deal might convince him to reconsider. Queen Calliphe coldly shuts down his vulgar proposal, but Claus's words sting. Sera remains outwardly unaffected, but internally, she suppresses her rage and the deep sense of being undervalued.
After Claus departs with mocking laughter, Queen Calliphe turns her attention to Sera. For the first time in years, she acknowledges her daughter directly, ordering her to "show them what a hot piece you are"—a degrading comment meant to push Sera to act. The queen’s words wound Sera, but instead of reacting emotionally, she sinks into the familiar numbness that has become her shield. Sera accepts her mother’s command without argument, letting herself become the cold, detached tool of vengeance she’s been trained to be.
Sera leaves the Great Hall with a clear purpose: to kill Lord Claus and send a message to the Vodina Isles. She quickly makes her way through the castle, slipping into the streets of Carsodonia under the cover of darkness. Her destination is the docks, where the Vodina Isles ship is moored.
Carsodonia, the capital of Lasania, is alive with activity, but Sera moves like a shadow, her years of training evident in her stealth. She is no longer the naïve girl from three years ago. Her steps are silent, her movements precise, and she reaches the docks unnoticed.
At the docks, Sera finds Lord Claus. His arrogance continues as he mistakes her presence for something sexual, assuming that she’s been sent to appease him. His lewd comments and crude behavior disgust Sera, but she remains calm. When Claus reaches for her, she reveals the true reason for her visit.
In a swift and brutal confrontation, Sera easily overpowers Claus, using the skills she honed under Sir Holland’s tutelage. Claus underestimates her, as most men do, and pays for it with his life. Sera kills him efficiently with her shadowstone dagger, severing his spine. The kill is clean, calculated, and almost emotionless—a testament to how hardened Sera has become.
After killing Claus, Sera cuts the ropes anchoring the Vodina Isles ship, letting it drift away as a final insult. The message is clear: Lasania may be struggling, but it is not defenseless.
As she walks away from the docks, blood still staining her arms, Sera reflects on her life since the failed summoning three years ago. She was summoned as the Primal’s Consort on her 17th, 18th, and 20th birthdays, but the Primal of Death never came. Each rejection further isolated her from her family, especially her mother, who barely speaks to her now.
Sera’s sense of purpose, once tied to her destiny as the Primal’s Consort, has eroded, leaving her feeling hollow. Her mother’s neglect and her stepbrother Tavius’s cruel behavior have only deepened her loneliness. Sera no longer has a place in the world—she’s a failed Maiden, a rejected Consort, and a daughter forgotten by her own family.
The chapter closes with Sera crossing the dark streets, heading towards the Golden Bridge, when she stumbles upon a chilling scene. In a courtyard, a goddess is using eather—the powerful essence of the gods—to kill a mortal man. The sight of the man’s glowing veins and his agonizing death fills Sera with horror and fury, especially when the goddess and her companion discard a baby’s body alongside the man.
Furious, Sera reaches for her dagger, prepared to fight the gods despite the odds. But before she can act, someone grabs her from behind, pinning her arms and covering her mouth. The chapter ends with Sera trapped, her fate uncertain.
The chapter opens with Sera being grabbed by a mysterious man who pulls her away from the courtyard where she had just witnessed a group of gods slaughter a mortal and a baby. The male's voice, calm but commanding, warns Sera that if she had gone after the gods, it would have ended in her death. Despite her struggle to free herself, his strength and speed are overwhelming, and she is carried easily into a vine tunnel nearby.
Tension Between Sera and the Stranger:
As
Sera tries to think of ways to escape, she begins analyzing her captor. He is
tall, broad, and strong, with a cool touch that reminds her of cold water.
Despite her attempts to kick him, he dodges her strikes with ease, finding her
struggles amusing. His voice is calm, almost bored, and he continues to warn
her that she’s acting impulsively and dangerously.
The mysterious man’s demeanor both frustrates and intrigues Sera. He suggests
that she should be grateful because he saved her from being killed by the gods,
but Sera is defiant, refusing to be grateful for something she didn’t ask for.
The man, however, is unperturbed by her resistance and keeps her tightly
restrained. When they hear the voices of the gods (Madis, Cressa, and Taric)
nearby, Sera becomes still, listening to their conversation.
The gods discuss how they must be "close" and speak casually about
what they’ve done, showing no remorse for the brutal murders. Sera silently
repeats their names, ensuring she won’t forget who they are.
The Interaction Escalates:
Once the gods leave, the male who is holding Sera finally releases his hand
from her mouth, but keeps his grip on her. He questions why she would even
consider going after the gods. Sera, still furious, argues that they killed a
child, and such an act should concern everyone. The man, however, calmly
explains that the actions of gods are not for mortals to interfere with, adding
that Sera should have known better. He suggests that she is reckless for trying
to confront the gods.
Despite his calm demeanor, Sera remains defiant, demanding that he let her go.
He warns her again that trying to fight the gods or running back to the scene
will only get her killed. His voice is tinged with frustration, as he finds
himself stuck helping someone who clearly doesn’t want his help. Sera is angry
and rebellious, but there’s an underlying tension between them that suggests a
growing connection.
An Intense Physical Struggle:
Sera tries to draw her dagger, but the man moves faster than she can react,
trapping her between the wall and his body. He pins her wrists above her head,
leaving her physically helpless. Despite her anger and frustration, Sera feels
the intense presence of the man, noting how close they are—his cool skin
against hers, his breath on her cheek. She can feel the sheer strength and
power radiating from him.
As Sera struggles against him, she realizes that he is not just any man. When
she finally looks up at his face, she sees silver eyes, glowing
with eather—the essence of gods. This man is a god.
The God’s Revelation:
The god acknowledges that Sera knows the rules: mortals should not interfere
with gods. But Sera, furious over the death of the baby, snaps back that the
murder of innocents should concern everyone, including gods. The god responds
with cold authority, telling her that the gods responsible will face
consequences for their actions. His words are chilling, and Sera senses that he
has the power to make them pay.
When the god senses the other gods approaching again, he acts
quickly, pulling Sera against him and urging her to wrap her legs around his
waist. His actions confuse Sera, but she complies, knowing that they need to
avoid detection. The physical closeness is overwhelming, but the god reassures
her by pressing his forehead to hers, maintaining a calm, almost intimate
demeanor.
The Kiss:
To blend in and avoid suspicion, the god tells Sera to kiss him.
Furious at being ordered, Sera kisses him aggressively, biting his lower lip in
defiance. This only seems to excite the god, who deepens the kiss passionately.
Sera is momentarily overwhelmed by the intensity of the kiss, feeling his fangs
graze her lips, which both terrifies and thrills her.
The kiss is electrifying and unlike anything Sera has ever
experienced. Despite the danger and the tension, she finds herself giving in to
the moment. The god’s hands move possessively over her body, pulling her closer
as the kiss intensifies. The kiss feels chaotic, powerful, and almost
addictive. For Sera, it is a wild release of all the pent-up emotions and
frustrations that have been building for years.
Aftermath of the Kiss:
After the gods pass by, the god pulls away, his forehead resting
against hers as they catch their breath. He releases her from his hold, and for
a brief moment, the two stand close together, sharing the aftermath of the
intense kiss. The god, still calm and confident, remarks that she was “quite
convincing,” hinting that the kiss was part of the act to avoid detection.
Sera, still reeling from the kiss, tries to regain her composure. The god
teasingly apologizes for drawing blood from her lip during the kiss, adding
that he wasn’t pretending to enjoy it. His flirtatious comment irritates Sera,
but there’s an undeniable connection between them.
Sera’s Defiance:
Despite the strange encounter, Sera is not one to back down
easily. When the god suggests that she should return home, Sera refuses,
stating that she has her own plans. The god seems amused by her defiance but
doesn’t stop her. As Sera walks away, she can feel the god watching her, and a
part of her feels strange leaving him behind. There is an unexplainable pull
between them, one that Sera can’t quite understand.
However, she forces herself to leave, determined to continue on her path, even
though the encounter with the god has left a profound impact on her.
This chapter sets the stage for the complex dynamic between Sera
and this mysterious god, as well as the dangerous world of gods and mortals she
is navigating.
Chapter 5 Recap - A Shadow in the EmberSera’s Encounter with Her Mother, the Queen:
The chapter opens with Sera entering the Queen’s private sitting room, a place she isn’t often welcome. She reflects on her father, King Lamont Mierel, whose portrait hangs in the room. Though Sera never met him, she feels a complicated mix of grief, anger, and abandonment because her father died shortly after her birth by leaping from a tower. Sera wonders if her birth, a reminder of the deal struck between her ancestors and the Primals, contributed to her father's despair.
Sera’s reflections are interrupted when Queen Calliphe, her mother, enters the room. Tension fills the air as the Queen questions why Sera is there, addressing her not as a daughter but as a mere handmaiden. The Queen expresses her disappointment, blaming Sera for the suffering of their people, alluding to Sera’s failure to fulfill her destiny as the Primal of Death’s Consort.
The emotional distance between Sera and her mother is painfully evident. The Queen's harsh words sting Sera, especially when she accuses Sera of being the reason Lasania is suffering, reinforcing Sera’s feelings of failure. Despite Sera’s anger and pain, she bites back more scathing comments, realizing how little her mother cares for her presence. Their strained relationship is painfully clear as the Queen dismisses Sera coldly.
Sera’s Nighttime Walk and the Pull of Death:
After the tense encounter with her mother, Sera leaves the castle and wanders the streets of Carsodonia, trying to escape her turbulent emotions. She walks aimlessly through the city, ending up near the Temple of Phanos, where she feels the pull of death. Her strange ability to sense recent death fills her with warmth and energy, compelling her to move forward, even though she knows she shouldn’t.
As Sera walks, she sees Madis, the god who killed the babe in the previous chapters. She contemplates striking him with her dagger, feeling the overwhelming urge for vengeance. However, she hesitates, remembering the silver-eyed god’s words about her reckless attraction to danger. Her hesitation allows Madis to slip away, leaving Sera frustrated.
Discovery of Andreia’s Death:
Following the sense of death she had earlier, Sera finds herself at the home of Andreia Joanis, the seamstress who had delivered a gown to the Queen earlier. Sera’s heart sinks as she enters Andreia’s home and smells the unmistakable scent of burnt flesh. Inside, she discovers Andreia’s body, horrifically mutilated with her eyes burned out in a strange, wing-like pattern.
As Sera processes the brutal scene, she suddenly senses someone behind her. Acting on instinct, she turns and stabs the intruder with her shadowstone dagger, only to realize that she has stabbed the silver-eyed god—the very one who had saved her before. Her heart races as she realizes the grave mistake she’s made: she’s stabbed a god, and not just any god, but the one who seems to hold a mysterious interest in her.
Sera’s Encounter with Her Mother, the Queen:
The chapter opens with Sera entering the Queen’s private sitting room, a place she isn’t often welcome. She reflects on her father, King Lamont Mierel, whose portrait hangs in the room. Though Sera never met him, she feels a complicated mix of grief, anger, and abandonment because her father died shortly after her birth by leaping from a tower. Sera wonders if her birth, a reminder of the deal struck between her ancestors and the Primals, contributed to her father's despair.
Sera’s reflections are interrupted when Queen Calliphe, her mother, enters the room. Tension fills the air as the Queen questions why Sera is there, addressing her not as a daughter but as a mere handmaiden. The Queen expresses her disappointment, blaming Sera for the suffering of their people, alluding to Sera’s failure to fulfill her destiny as the Primal of Death’s Consort.
The emotional distance between Sera and her mother is painfully evident. The Queen's harsh words sting Sera, especially when she accuses Sera of being the reason Lasania is suffering, reinforcing Sera’s feelings of failure. Despite Sera’s anger and pain, she bites back more scathing comments, realizing how little her mother cares for her presence. Their strained relationship is painfully clear as the Queen dismisses Sera coldly.
Sera’s Nighttime Walk and the Pull of Death:
After the tense encounter with her mother, Sera leaves the castle and wanders the streets of Carsodonia, trying to escape her turbulent emotions. She walks aimlessly through the city, ending up near the Temple of Phanos, where she feels the pull of death. Her strange ability to sense recent death fills her with warmth and energy, compelling her to move forward, even though she knows she shouldn’t.
As Sera walks, she sees Madis, the god who killed the babe in the previous chapters. She contemplates striking him with her dagger, feeling the overwhelming urge for vengeance. However, she hesitates, remembering the silver-eyed god’s words about her reckless attraction to danger. Her hesitation allows Madis to slip away, leaving Sera frustrated.
Discovery of Andreia’s Death:
Following the sense of death she had earlier, Sera finds herself at the home of Andreia Joanis, the seamstress who had delivered a gown to the Queen earlier. Sera’s heart sinks as she enters Andreia’s home and smells the unmistakable scent of burnt flesh. Inside, she discovers Andreia’s body, horrifically mutilated with her eyes burned out in a strange, wing-like pattern.
As Sera processes the brutal scene, she suddenly senses someone behind her. Acting on instinct, she turns and stabs the intruder with her shadowstone dagger, only to realize that she has stabbed the silver-eyed god—the very one who had saved her before. Her heart races as she realizes the grave mistake she’s made: she’s stabbed a god, and not just any god, but the one who seems to hold a mysterious interest in her.
This chapter further develops Sera’s emotional turmoil, highlighting her complicated relationships with her family and her growing entanglement with the gods, particularly the silver-eyed god who seems to be playing a larger role in her life.
Chapter 6 Recap - A Shadow in the Ember
Sera Stabs the Silver-Eyed God:
The chapter opens with Sera in shock after realizing she has stabbed the silver-eyed god in the chest. Though shadowstone is deadly to gods, the silver-eyed god seems barely affected, though he acknowledges that the wound "stung." Sera is terrified but also frustrated as the god seems more annoyed than angry. The two exchange heated words, with Sera unapologetically defending her actions, arguing that he startled her, and the god destroying her dagger in response to avoid being stabbed again.
Their banter reveals the underlying tension between them, laced with hints of humor. Despite the danger, Sera's boldness shines through as she even threatens to stab him again, though it's clear neither is truly angry—more intrigued by the other. The god remarks that Sera is "trouble" but refrains from hurting her, showing that he's far from ordinary in both strength and behavior. He questions her fear, remarking that while she feels terror, she isn’t truly terrified—a point that further mystifies him.
The Mystery of Andreia’s Death:
The conversation shifts as they return their focus to the body of the seamstress, Andreia Joanis, who had been murdered in her home. The god explains that he arrived too late to stop Madis, the god responsible for her death. Sera admits she followed Madis after seeing him leave Andreia’s house, though she did not notice the silver-eyed god enter.
Their interaction becomes more serious as they discuss the mysterious killings, with the god confirming that Andreia's death seems connected to the earlier murders of the Kazin siblings. Sera questions him about the workings of gods, Primals, and the fate of mortals killed in this manner. He reveals that those who die like Andreia don’t pass into the Shadowlands; they simply cease to exist, a fate worse than even the Abyss.
Andreia’s Resurrection and Attack:
The calm is shattered when Andreia’s body suddenly reanimates, sitting up with her eyes burned out and her mouth now sporting four long fangs. Both Sera and the god are shocked. Andreia, no longer fully human, hisses and snarls, attacking them. The god quickly dispatches her with his shadowstone sword, but not before Sera is left stunned by the sheer speed and viciousness of the attack.
As Andreia’s body crumbles to ash, the god admits he has never seen anything like this before. He suspects that Madis did more than just kill Andreia—he altered her somehow, turning her into this monstrous being. The god warns Sera to keep what she’s witnessed to herself before taking his leave, calling her liessa once more.
The Meaning of "Liessa":
Before leaving, Sera finally asks what "liessa" means. The god’s answer is cryptic but significant: it has many meanings, all of them relating to something "beautiful and powerful." The implication of this term, used by a god, suggests that Sera is more important than she realizes.
This chapter pushes Sera deeper into the supernatural intrigue while strengthening the bond between her and the silver-eyed god, whose intentions remain unclear but seem increasingly protective.
Chapter 7 Recap - A Shadow in the Ember
Training and Reflection:
The chapter begins with Sera continuing her training in the east tower under the guidance of Sir Holland, practicing blindfolded with an iron blade. Sera is still reeling from the events of the previous night when she stabbed the silver-eyed god and witnessed the strange resurrection of Andreia Joanis. While trying to focus on training, her thoughts drift to the destroyed shadowstone dagger and the god's cryptic words, especially his calling her "liessa," meaning something beautiful and powerful.
Sera finally asks Sir Holland a veiled question about whether he’s ever heard of someone coming back to life with fangs, like what she saw happen to Andreia. Sir Holland has never heard of such a thing, calling it an “abomination,” further deepening the mystery surrounding the event. Just as Sera is about to press him for more, Princess Ezmeria (Ezra) arrives, seeking Sera’s help with a situation involving an orphaned child.
Ezra’s Request:
Ezra, who is always composed and clever, asks Sera to help with a delicate situation. A young girl named Ellie has come under the care of Lady Sunders, who runs an orphanage. Ellie’s brother, however, remains in a precarious situation with their father, a man named Nor, who has been forcing his children into unspeakable acts for survival. Ezra explains that Sera’s unique skills are needed to extract the boy from his father, who resides in a dangerous part of Carsodonia known as Croft’s Cross.
Ezra reveals that Nor has been using his children to sustain his vices, even forcing them into thievery and other darker activities. With Ellie now safe, the task remains to rescue her brother from Nor’s grasp. Ezra believes that Sera can get close to Nor under the guise of someone seeking employment in his illicit operations.
Sera’s Reluctance and Agreement:
Though hesitant, Sera agrees to help. She plans to disguise herself to gain access to Nor's world and rescue the boy. However, Ezra warns her to wear something she isn’t worried about getting bloody, hinting that the mission might not go as smoothly as Sera hopes. Despite Sera's intention to avoid violence, Ezra’s calm but knowing demeanor suggests that the situation may escalate beyond a simple extraction.
This chapter shifts from supernatural intrigue to a more personal and immediate mission, deepening Sera's role as someone who can navigate both the physical dangers of her world and the larger, mysterious forces at play.
Chapter 8 Recap - A Shadow in the Ember
Sera’s Mission:The chapter begins with Sera and Ezra traveling in a black carriage towards Croft’s Cross, a dangerous and poverty-stricken district of Carsodonia. They are on a mission to extract a young boy named Nate from the clutches of his abusive father, Nor. The scene is set against the backdrop of dilapidated buildings, where overcrowded conditions and the Rot plague the city. Despite the discomfort of the heat, Sera and Ezra maintain a banter that lightens the tension of their grim task.
Ezra, who is often calm and composed, reassures Sera that Lady Marisol (who is driving the carriage) will keep an eye out and make sure nothing goes awry. Sera is dressed provocatively to gain access to Nor’s den, where he runs his illicit operations. As they arrive, Ezra warns Sera to be careful, knowing full well the potential dangers of the mission.
The Confrontation with Nor:
Sera enters Nor’s building, finding herself in a grimy, smoke-filled den. Nor is immediately repulsive, his manner oozing with misogyny and cruelty. Sera adopts a submissive persona, playing along with Nor’s expectations while looking for an opportunity to rescue Nate. Nor’s abuse is apparent not only in the way he treats Sera but also in the condition of the women and children under his control. Sera notes how beaten down both physically and mentally they are, particularly Molly, one of Nor’s victims.
Eventually, Nor becomes crude, pulling Sera into his lap and hinting at the abuse she would face if he decided to keep her. This is the moment when Sera acts. Using the skills she’s honed for years, she discreetly retrieves her iron blade from her boot and, with swift precision, slashes Nor’s throat, ending his life. Despite the brutality of the act, Sera feels nothing but disgust and detachment, a clear indication of her internal conflict and the lengths she is willing to go to save others.
The Rescue:
After dealing with Nor, Sera finds Nate hiding in a back room. Though hesitant at first, Nate eventually trusts Sera when she convinces him that his sister Ellie is safe with the Ladies of Mercy. With Nate now in her care, Sera leads him out of the den, ensuring he doesn’t see his father’s body. As they leave, Sera hands a bag of coins to Molly, advising her to get away from the building quickly, implying that trouble will soon follow Nor’s death.
Reuniting with Ezra:
Back in the carriage with Ezra and Nate, Sera reflects on the mission. Ezra immediately notices the bloodstains on Sera’s gown and correctly guesses that Nor has met a violent end. Sera brushes it off with dark humor, saying that Nor simply "slipped and fell" on her blade. Ezra, ever astute, notes that such incidents tend to happen frequently around Sera, hinting at her dangerous life and the violent situations she often finds herself in. The chapter closes with a light-hearted moment between the stepsisters, with Ezra admitting that Sera frightens her "a little."
This chapter highlights Sera’s resourcefulness and willingness to kill when necessary, revealing more about her character’s complexity as she navigates both personal and societal challenges in her quest to protect the vulnerable.
Chapter 9 Recap - A Shadow in the Ember
Sera's Internal Struggle:
The chapter opens with Sera walking through a forest towards a lake, haunted by her recent actions. She wrestles with her emotions after killing Nor, feeling detached yet slightly disturbed by the ease with which she took his life. Despite trying to distract herself by recalling the joy on Nate's face after being reunited with his sister, Ellie, at the orphanage, she can’t shake the question lingering in her mind: “What is wrong with you?” Sera grapples with the heavy toll her role as a killer has placed on her, with fourteen lives already ended by her hand, including some on her mother’s orders.
Her thoughts spiral as she walks deeper into the Dark Elms, a forest known for its dangerous wildlife. While reflecting on her inner turmoil, Sera encounters a kiyou wolf, an enormous and majestic creature, wounded by an arrow and struggling to survive. Unlike with humans, Sera feels a deep sense of sorrow for the animal and taps into her mysterious gift of life, a power she rarely uses.
Sera's Gift:
Sera removes the arrow from the wolf’s chest and channels her life-giving ability, healing the animal. The wolf, seemingly dead moments before, regains life and even licks Sera’s hand before running off into the forest. This event reminds her of her past experiences with her gift, including when she revived a barn cat named Butters when she was a child.
Sera reflects on the weight of her gift and the responsibility that comes with it. She understands that using this power on animals is one thing, but using it on humans could upset the balance of life and death. The possibility that her gift might have come from the Primal of Life—Kolis, the King of Gods—adds to her uncertainty. As she questions whether her power had influenced the Primal of Death's decision to abandon her as his Consort, Sera is caught between feeling blessed and cursed by her abilities.
A Moment of Release:
Seeking solace, Sera continues her journey toward a tranquil lake deep within the forest. This lake serves as a rare place of peace for her, a sanctuary where she can escape the burdens of her life. She strips off her bloodstained gown and slips into the cool water, feeling the tension leave her body as she floats in the lake’s embrace. For a few precious moments, Sera allows herself to exist without the weight of her responsibilities, failures, or violence.
However, this brief respite is interrupted by a sudden and unsettling awareness that she is no longer alone. Despite her efforts to find peace in the water, Sera senses that someone is watching her, triggering her instinctive need for self-defense. She reaches for her blade, only to realize that she has left it on the shore, leaving her vulnerable to whatever or whoever is lurking nearby.
This chapter delves deeply into Sera’s emotional and psychological state, providing more insight into her powers and her struggle with the consequences of her actions. It sets the stage for further exploration of her abilities and the looming mystery of who—or what—might be watching her.
Chapter 10 Recap - A Shadow in the Ember
Sera’s Unexpected Encounter:
The chapter begins with Sera still in the lake, feeling the unsettling sensation of being watched. Her instincts tell her she is no longer alone, and when she demands the intruder to reveal themselves, a familiar figure steps out from behind the waterfall. It’s Ash, the mysterious god she had encountered before, sending Sera’s heart into a mix of shock and anger.
Ash casually explains that he was at the lake first, having come for a swim, and did not expect her to arrive. Though his manner is calm and teasing, Sera is furious that he had seen her naked in the water. Ash’s responses are as infuriating as ever, filled with amusement and sly remarks, leading to an exchange of sharp words between them. He even describes Sera as looking like a “goddess made of silver and moonbeams,” a comment that flusters her despite her anger.
Tension and Attraction:
Despite the heated conversation, there is a palpable attraction between Sera and Ash. His teasing tone and calm demeanor contrast with her fiery frustration. Their banter is laced with tension, particularly as Ash makes several flirtatious comments, acknowledging her strength and bravery in a way that surprises her. Sera tries to maintain her composure, but Ash’s presence and his unexpected compliments catch her off guard.
However, Sera is determined to keep her guard up. She threatens to harm Ash if he continues to provoke her, but he only laughs, finding her threats amusing. His amusement at her defiance only fuels her frustration, and their dynamic continues to oscillate between tension and a strange connection that neither of them seems to fully understand.
A New Threat Emerges:
As their conversation continues, Ash suddenly becomes serious. He warns Sera that they are not alone in the woods, and though she initially dismisses the sounds as spirits, Ash insists that something more dangerous is approaching. He draws his sword, preparing for what’s to come, while Sera remains skeptical, pointing out that no one enters the Dark Elms except for gods and spirits. But Ash hints that the threat they are facing is neither mortal nor spirit.
Suddenly, from the shadowy depths of the forest, a figure cloaked in black emerges. Sera realizes that whatever is approaching is far more sinister than a mere spirit. As the chapter closes, the stage is set for an imminent confrontation, with Ash and Sera bracing themselves for the unknown.
This chapter builds on the tension between Sera and Ash while setting the stage for an upcoming danger, leaving the reader eager to see how they will face the looming threat together.
Chapter 11 Recap - A Shadow in the Ember
The Encounter with the Hunters:
Chapter 11 opens with Sera and Ash facing a terrifying group of creatures known as Gyrms, specifically a type called Hunters. These beings, with deathly pallor, eyeless faces, and grotesque, stitched mouths, seem otherworldly and unnerving. When Sera asks why they are there, Ash cryptically responds that the Hunters are likely looking for something, though he does not know exactly what.
The fight begins, and Ash quickly dispatches two of the Hunters with his sword, their bodies collapsing into ash. Sera, refusing to stand idly by, joins the battle despite Ash’s insistence that she leave. Armed with a dagger, Sera attacks one of the Hunters to prevent it from stabbing Ash, and though she strikes a heavy blow, the creature does not fall.
During the battle, Ash offers some snarky commentary, amused by Sera’s persistence in fighting in her sheer slip, even commenting on how it distracts him. Despite the peril, their banter continues, showcasing the undeniable tension between them. As they fight side by side, Ash tells Sera that the only way to kill the Hunters is by decapitating them or destroying their hearts.
A Horrifying Discovery:
Sera faces off against a Hunter who reveals something truly terrifying. Its stitched mouth splits open, releasing a mass of writhing serpents. Sera, who harbors a deep fear of snakes, is frozen in horror but manages to kill the creature by stabbing it in the chest. After the battle, Ash approaches her to make sure she wasn’t bitten by the snakes, and they exchange some humorous remarks as Sera tries to shake off her fear.
An Accident and a Confession:
In her haste to escape a real snake, Sera slips and hits her head, knocking herself out. She awakens with her head resting on Ash’s thigh, groggy but quickly recovering. In her dazed state, she blurts out that Ash is “beautiful,” much to her own embarrassment once she fully regains her senses. Ash, amused by her compliment, checks on her to make sure she’s not seriously injured. Their conversation, though lighthearted, grows more intimate as Ash gently touches Sera’s arm, a rare moment of tenderness that catches her off guard.
Revelations About the Gyrms and the Past:
As they talk, Ash explains more about the Gyrms. These creatures, once mortal, became Hunters and Seekers after offering eternal servitude to a god. The stitched mouths are a sign of their loyalty to the god or Primal they serve. Ash also reveals that the serpents are part of their transformation, replacing their insides. Sera is horrified but asks if the same fate befalls the Priests, who also have stitched mouths. Ash confirms that the Priests, who serve Primals, share a similar fate, though they are more mortal than the Hunters.
Their conversation shifts as Ash casually continues to touch Sera’s arm, a gesture that deeply affects her. She realizes how starved she is for affection and touch, but she also grows uncomfortable with the intimacy, unsure of how to process her feelings.
Ash’s Secrets:
Ash hints that the Hunters may have been sent to find him, as he has many enemies. When Sera presses him for details, he deflects with a mysterious comment about the politics and conflicts between gods and Primals. He also reveals that what is written about the gods and Primals in history books is not always accurate. Some Primals are far younger than mortals believe, while some gods have existed for far longer than the Primals.
Tension Builds Between Sera and Ash:
The chapter ends with Ash touching Sera’s arm, which she finds both grounding and unsettling. When she asks why he stayed with her after she was injured, he responds that it would have been rude to leave her unconscious. Sera, growing increasingly flustered, accuses him of being a “polite pervert,” while Ash teases her for not leaving either, suggesting that perhaps she enjoys his company more than she lets on.
This chapter continues to build the tension between Sera and Ash while introducing more mysteries about the world of gods, Primals, and their servants. The mix of danger, humor, and intimacy keeps the reader engaged, eager to see how their relationship will develop and what new challenges they will face.
The chapter opens with Sera in shock after realizing she has stabbed the silver-eyed god in the chest. Though shadowstone is deadly to gods, the silver-eyed god seems barely affected, though he acknowledges that the wound "stung." Sera is terrified but also frustrated as the god seems more annoyed than angry. The two exchange heated words, with Sera unapologetically defending her actions, arguing that he startled her, and the god destroying her dagger in response to avoid being stabbed again.
Their banter reveals the underlying tension between them, laced with hints of humor. Despite the danger, Sera's boldness shines through as she even threatens to stab him again, though it's clear neither is truly angry—more intrigued by the other. The god remarks that Sera is "trouble" but refrains from hurting her, showing that he's far from ordinary in both strength and behavior. He questions her fear, remarking that while she feels terror, she isn’t truly terrified—a point that further mystifies him.
The Mystery of Andreia’s Death:
The conversation shifts as they return their focus to the body of the seamstress, Andreia Joanis, who had been murdered in her home. The god explains that he arrived too late to stop Madis, the god responsible for her death. Sera admits she followed Madis after seeing him leave Andreia’s house, though she did not notice the silver-eyed god enter.
Their interaction becomes more serious as they discuss the mysterious killings, with the god confirming that Andreia's death seems connected to the earlier murders of the Kazin siblings. Sera questions him about the workings of gods, Primals, and the fate of mortals killed in this manner. He reveals that those who die like Andreia don’t pass into the Shadowlands; they simply cease to exist, a fate worse than even the Abyss.
Andreia’s Resurrection and Attack:
The calm is shattered when Andreia’s body suddenly reanimates, sitting up with her eyes burned out and her mouth now sporting four long fangs. Both Sera and the god are shocked. Andreia, no longer fully human, hisses and snarls, attacking them. The god quickly dispatches her with his shadowstone sword, but not before Sera is left stunned by the sheer speed and viciousness of the attack.
As Andreia’s body crumbles to ash, the god admits he has never seen anything like this before. He suspects that Madis did more than just kill Andreia—he altered her somehow, turning her into this monstrous being. The god warns Sera to keep what she’s witnessed to herself before taking his leave, calling her liessa once more.
The Meaning of "Liessa":
Before leaving, Sera finally asks what "liessa" means. The god’s answer is cryptic but significant: it has many meanings, all of them relating to something "beautiful and powerful." The implication of this term, used by a god, suggests that Sera is more important than she realizes.
This chapter pushes Sera deeper into the supernatural intrigue while strengthening the bond between her and the silver-eyed god, whose intentions remain unclear but seem increasingly protective.
The chapter begins with Sera continuing her training in the east tower under the guidance of Sir Holland, practicing blindfolded with an iron blade. Sera is still reeling from the events of the previous night when she stabbed the silver-eyed god and witnessed the strange resurrection of Andreia Joanis. While trying to focus on training, her thoughts drift to the destroyed shadowstone dagger and the god's cryptic words, especially his calling her "liessa," meaning something beautiful and powerful.
Sera finally asks Sir Holland a veiled question about whether he’s ever heard of someone coming back to life with fangs, like what she saw happen to Andreia. Sir Holland has never heard of such a thing, calling it an “abomination,” further deepening the mystery surrounding the event. Just as Sera is about to press him for more, Princess Ezmeria (Ezra) arrives, seeking Sera’s help with a situation involving an orphaned child.
Ezra’s Request:
Ezra, who is always composed and clever, asks Sera to help with a delicate situation. A young girl named Ellie has come under the care of Lady Sunders, who runs an orphanage. Ellie’s brother, however, remains in a precarious situation with their father, a man named Nor, who has been forcing his children into unspeakable acts for survival. Ezra explains that Sera’s unique skills are needed to extract the boy from his father, who resides in a dangerous part of Carsodonia known as Croft’s Cross.
Ezra reveals that Nor has been using his children to sustain his vices, even forcing them into thievery and other darker activities. With Ellie now safe, the task remains to rescue her brother from Nor’s grasp. Ezra believes that Sera can get close to Nor under the guise of someone seeking employment in his illicit operations.
Sera’s Reluctance and Agreement:
Though hesitant, Sera agrees to help. She plans to disguise herself to gain access to Nor's world and rescue the boy. However, Ezra warns her to wear something she isn’t worried about getting bloody, hinting that the mission might not go as smoothly as Sera hopes. Despite Sera's intention to avoid violence, Ezra’s calm but knowing demeanor suggests that the situation may escalate beyond a simple extraction.
This chapter shifts from supernatural intrigue to a more personal and immediate mission, deepening Sera's role as someone who can navigate both the physical dangers of her world and the larger, mysterious forces at play.
Ezra, who is often calm and composed, reassures Sera that Lady Marisol (who is driving the carriage) will keep an eye out and make sure nothing goes awry. Sera is dressed provocatively to gain access to Nor’s den, where he runs his illicit operations. As they arrive, Ezra warns Sera to be careful, knowing full well the potential dangers of the mission.
The Confrontation with Nor:
Sera enters Nor’s building, finding herself in a grimy, smoke-filled den. Nor is immediately repulsive, his manner oozing with misogyny and cruelty. Sera adopts a submissive persona, playing along with Nor’s expectations while looking for an opportunity to rescue Nate. Nor’s abuse is apparent not only in the way he treats Sera but also in the condition of the women and children under his control. Sera notes how beaten down both physically and mentally they are, particularly Molly, one of Nor’s victims.
Eventually, Nor becomes crude, pulling Sera into his lap and hinting at the abuse she would face if he decided to keep her. This is the moment when Sera acts. Using the skills she’s honed for years, she discreetly retrieves her iron blade from her boot and, with swift precision, slashes Nor’s throat, ending his life. Despite the brutality of the act, Sera feels nothing but disgust and detachment, a clear indication of her internal conflict and the lengths she is willing to go to save others.
The Rescue:
After dealing with Nor, Sera finds Nate hiding in a back room. Though hesitant at first, Nate eventually trusts Sera when she convinces him that his sister Ellie is safe with the Ladies of Mercy. With Nate now in her care, Sera leads him out of the den, ensuring he doesn’t see his father’s body. As they leave, Sera hands a bag of coins to Molly, advising her to get away from the building quickly, implying that trouble will soon follow Nor’s death.
Reuniting with Ezra:
Back in the carriage with Ezra and Nate, Sera reflects on the mission. Ezra immediately notices the bloodstains on Sera’s gown and correctly guesses that Nor has met a violent end. Sera brushes it off with dark humor, saying that Nor simply "slipped and fell" on her blade. Ezra, ever astute, notes that such incidents tend to happen frequently around Sera, hinting at her dangerous life and the violent situations she often finds herself in. The chapter closes with a light-hearted moment between the stepsisters, with Ezra admitting that Sera frightens her "a little."
This chapter highlights Sera’s resourcefulness and willingness to kill when necessary, revealing more about her character’s complexity as she navigates both personal and societal challenges in her quest to protect the vulnerable.
The chapter opens with Sera walking through a forest towards a lake, haunted by her recent actions. She wrestles with her emotions after killing Nor, feeling detached yet slightly disturbed by the ease with which she took his life. Despite trying to distract herself by recalling the joy on Nate's face after being reunited with his sister, Ellie, at the orphanage, she can’t shake the question lingering in her mind: “What is wrong with you?” Sera grapples with the heavy toll her role as a killer has placed on her, with fourteen lives already ended by her hand, including some on her mother’s orders.
Her thoughts spiral as she walks deeper into the Dark Elms, a forest known for its dangerous wildlife. While reflecting on her inner turmoil, Sera encounters a kiyou wolf, an enormous and majestic creature, wounded by an arrow and struggling to survive. Unlike with humans, Sera feels a deep sense of sorrow for the animal and taps into her mysterious gift of life, a power she rarely uses.
Sera's Gift:
Sera removes the arrow from the wolf’s chest and channels her life-giving ability, healing the animal. The wolf, seemingly dead moments before, regains life and even licks Sera’s hand before running off into the forest. This event reminds her of her past experiences with her gift, including when she revived a barn cat named Butters when she was a child.
Sera reflects on the weight of her gift and the responsibility that comes with it. She understands that using this power on animals is one thing, but using it on humans could upset the balance of life and death. The possibility that her gift might have come from the Primal of Life—Kolis, the King of Gods—adds to her uncertainty. As she questions whether her power had influenced the Primal of Death's decision to abandon her as his Consort, Sera is caught between feeling blessed and cursed by her abilities.
A Moment of Release:
Seeking solace, Sera continues her journey toward a tranquil lake deep within the forest. This lake serves as a rare place of peace for her, a sanctuary where she can escape the burdens of her life. She strips off her bloodstained gown and slips into the cool water, feeling the tension leave her body as she floats in the lake’s embrace. For a few precious moments, Sera allows herself to exist without the weight of her responsibilities, failures, or violence.
However, this brief respite is interrupted by a sudden and unsettling awareness that she is no longer alone. Despite her efforts to find peace in the water, Sera senses that someone is watching her, triggering her instinctive need for self-defense. She reaches for her blade, only to realize that she has left it on the shore, leaving her vulnerable to whatever or whoever is lurking nearby.
This chapter delves deeply into Sera’s emotional and psychological state, providing more insight into her powers and her struggle with the consequences of her actions. It sets the stage for further exploration of her abilities and the looming mystery of who—or what—might be watching her.
The chapter begins with Sera still in the lake, feeling the unsettling sensation of being watched. Her instincts tell her she is no longer alone, and when she demands the intruder to reveal themselves, a familiar figure steps out from behind the waterfall. It’s Ash, the mysterious god she had encountered before, sending Sera’s heart into a mix of shock and anger.
Ash casually explains that he was at the lake first, having come for a swim, and did not expect her to arrive. Though his manner is calm and teasing, Sera is furious that he had seen her naked in the water. Ash’s responses are as infuriating as ever, filled with amusement and sly remarks, leading to an exchange of sharp words between them. He even describes Sera as looking like a “goddess made of silver and moonbeams,” a comment that flusters her despite her anger.
Tension and Attraction:
Despite the heated conversation, there is a palpable attraction between Sera and Ash. His teasing tone and calm demeanor contrast with her fiery frustration. Their banter is laced with tension, particularly as Ash makes several flirtatious comments, acknowledging her strength and bravery in a way that surprises her. Sera tries to maintain her composure, but Ash’s presence and his unexpected compliments catch her off guard.
However, Sera is determined to keep her guard up. She threatens to harm Ash if he continues to provoke her, but he only laughs, finding her threats amusing. His amusement at her defiance only fuels her frustration, and their dynamic continues to oscillate between tension and a strange connection that neither of them seems to fully understand.
A New Threat Emerges:
As their conversation continues, Ash suddenly becomes serious. He warns Sera that they are not alone in the woods, and though she initially dismisses the sounds as spirits, Ash insists that something more dangerous is approaching. He draws his sword, preparing for what’s to come, while Sera remains skeptical, pointing out that no one enters the Dark Elms except for gods and spirits. But Ash hints that the threat they are facing is neither mortal nor spirit.
Suddenly, from the shadowy depths of the forest, a figure cloaked in black emerges. Sera realizes that whatever is approaching is far more sinister than a mere spirit. As the chapter closes, the stage is set for an imminent confrontation, with Ash and Sera bracing themselves for the unknown.
This chapter builds on the tension between Sera and Ash while setting the stage for an upcoming danger, leaving the reader eager to see how they will face the looming threat together.
Chapter 11 opens with Sera and Ash facing a terrifying group of creatures known as Gyrms, specifically a type called Hunters. These beings, with deathly pallor, eyeless faces, and grotesque, stitched mouths, seem otherworldly and unnerving. When Sera asks why they are there, Ash cryptically responds that the Hunters are likely looking for something, though he does not know exactly what.
The fight begins, and Ash quickly dispatches two of the Hunters with his sword, their bodies collapsing into ash. Sera, refusing to stand idly by, joins the battle despite Ash’s insistence that she leave. Armed with a dagger, Sera attacks one of the Hunters to prevent it from stabbing Ash, and though she strikes a heavy blow, the creature does not fall.
During the battle, Ash offers some snarky commentary, amused by Sera’s persistence in fighting in her sheer slip, even commenting on how it distracts him. Despite the peril, their banter continues, showcasing the undeniable tension between them. As they fight side by side, Ash tells Sera that the only way to kill the Hunters is by decapitating them or destroying their hearts.
A Horrifying Discovery:
Sera faces off against a Hunter who reveals something truly terrifying. Its stitched mouth splits open, releasing a mass of writhing serpents. Sera, who harbors a deep fear of snakes, is frozen in horror but manages to kill the creature by stabbing it in the chest. After the battle, Ash approaches her to make sure she wasn’t bitten by the snakes, and they exchange some humorous remarks as Sera tries to shake off her fear.
An Accident and a Confession:
In her haste to escape a real snake, Sera slips and hits her head, knocking herself out. She awakens with her head resting on Ash’s thigh, groggy but quickly recovering. In her dazed state, she blurts out that Ash is “beautiful,” much to her own embarrassment once she fully regains her senses. Ash, amused by her compliment, checks on her to make sure she’s not seriously injured. Their conversation, though lighthearted, grows more intimate as Ash gently touches Sera’s arm, a rare moment of tenderness that catches her off guard.
Revelations About the Gyrms and the Past:
As they talk, Ash explains more about the Gyrms. These creatures, once mortal, became Hunters and Seekers after offering eternal servitude to a god. The stitched mouths are a sign of their loyalty to the god or Primal they serve. Ash also reveals that the serpents are part of their transformation, replacing their insides. Sera is horrified but asks if the same fate befalls the Priests, who also have stitched mouths. Ash confirms that the Priests, who serve Primals, share a similar fate, though they are more mortal than the Hunters.
Their conversation shifts as Ash casually continues to touch Sera’s arm, a gesture that deeply affects her. She realizes how starved she is for affection and touch, but she also grows uncomfortable with the intimacy, unsure of how to process her feelings.
Ash’s Secrets:
Ash hints that the Hunters may have been sent to find him, as he has many enemies. When Sera presses him for details, he deflects with a mysterious comment about the politics and conflicts between gods and Primals. He also reveals that what is written about the gods and Primals in history books is not always accurate. Some Primals are far younger than mortals believe, while some gods have existed for far longer than the Primals.
Tension Builds Between Sera and Ash:
The chapter ends with Ash touching Sera’s arm, which she finds both grounding and unsettling. When she asks why he stayed with her after she was injured, he responds that it would have been rude to leave her unconscious. Sera, growing increasingly flustered, accuses him of being a “polite pervert,” while Ash teases her for not leaving either, suggesting that perhaps she enjoys his company more than she lets on.
This chapter continues to build the tension between Sera and Ash while introducing more mysteries about the world of gods, Primals, and their servants. The mix of danger, humor, and intimacy keeps the reader engaged, eager to see how their relationship will develop and what new challenges they will face.
Chapter 12 Recap - A Shadow in the Ember
Chapter 13 Recap - A Shadow in the Ember
Sera and Ash's Passion Chapter 13 picks up right after Sera tells Ash to kiss her. This moment of intimacy between them escalates rapidly, filled with sensuality and desire. Sera is caught between fear and excitement as Ash's kisses and touch stir feelings she has never experienced before. The kiss begins softly, but Ash’s passion quickly deepens, revealing his need for her, while his fangs and cold touch serve as a reminder that he is not human—he’s a god. Ash kisses Sera with intensity, and the two of them lose themselves in the moment. His cool hands explore her body, making her feel both powerful and desired. Sera revels in how affected Ash seems by her, astonished that a god could be so captivated by her touch. As they continue to kiss, Ash’s hands grow bolder, skimming up her legs and hips, while Sera finds herself wanting more.
A Growing Connection:
Sera feels no hesitation, only a wild, reckless desire as their connection intensifies. Ash’s hands wander, teasing her body, and Sera enjoys the sensation of being wanted so deeply. Ash asks her to show him what she likes, and Sera, for the first time, takes control of the moment, guiding his hands to her most sensitive areas.
As Ash’s fingers touch and pleasure her, the scene becomes a heated, intimate exploration of desire and passion. Their chemistry is undeniable, and for a brief moment, Sera forgets her reality—who she is and what her duty entails. She is consumed by the sensation of Ash’s touch and the overwhelming pleasure he gives her.
The Consequences of Desire:
However, just as the tension between them reaches its peak, Ash pulls back slightly, showing restraint. Despite his own desire, he tells Sera that going further would lead to regret, hinting that the consequences could be much greater than either of them wants. While Sera tries to challenge his restraint, Ash gently reminds her that engaging in such an intimate act may lead to something neither of them can undo.
Sera is taken aback by Ash’s self-control and even more surprised when he admits that he doesn’t have much experience with intimacy. The revelation shocks her, as she hadn’t expected a god to admit something so personal and vulnerable. Despite his restraint, Ash still teases her with tender kisses, bringing their moment of passion to a slow, gentle end.
A Farewell with Unspoken Feelings:
As their time together comes to a close, Ash prepares to leave. He kisses Sera’s forehead and straightens her hair with surprising tenderness, hinting at a deeper connection that neither of them fully understands. Sera feels an odd sense of loss as he departs, sensing that this might be the last time they share such a moment.
Before he leaves, Ash advises Sera to head home soon and be careful. His words seem to come from a place of concern, leaving Sera with mixed emotions. She is struck by how much she’s opened up to Ash, not just physically but emotionally as well. There’s a sense that they’ve both shared something meaningful, and Sera is left wondering if she will ever see him again.
As the chapter ends, the sounds of the forest return, signaling a return to normalcy. But for Sera, nothing feels the same. The night has been transformative, and the connection she formed with Ash lingers in her heart.
This chapter highlights the growing bond between Sera and Ash, blending intense physical attraction with emotional vulnerability. Their relationship continues to evolve, leaving the reader eager to see how it will develop and what challenges they may face next.
Chapter 14 Recap - A Shadow in the Ember
A Growing Connection:
Sera feels no hesitation, only a wild, reckless desire as their connection intensifies. Ash’s hands wander, teasing her body, and Sera enjoys the sensation of being wanted so deeply. Ash asks her to show him what she likes, and Sera, for the first time, takes control of the moment, guiding his hands to her most sensitive areas.
As Ash’s fingers touch and pleasure her, the scene becomes a heated, intimate exploration of desire and passion. Their chemistry is undeniable, and for a brief moment, Sera forgets her reality—who she is and what her duty entails. She is consumed by the sensation of Ash’s touch and the overwhelming pleasure he gives her.
The Consequences of Desire:
However, just as the tension between them reaches its peak, Ash pulls back slightly, showing restraint. Despite his own desire, he tells Sera that going further would lead to regret, hinting that the consequences could be much greater than either of them wants. While Sera tries to challenge his restraint, Ash gently reminds her that engaging in such an intimate act may lead to something neither of them can undo.
Sera is taken aback by Ash’s self-control and even more surprised when he admits that he doesn’t have much experience with intimacy. The revelation shocks her, as she hadn’t expected a god to admit something so personal and vulnerable. Despite his restraint, Ash still teases her with tender kisses, bringing their moment of passion to a slow, gentle end.
A Farewell with Unspoken Feelings:
As their time together comes to a close, Ash prepares to leave. He kisses Sera’s forehead and straightens her hair with surprising tenderness, hinting at a deeper connection that neither of them fully understands. Sera feels an odd sense of loss as he departs, sensing that this might be the last time they share such a moment.
Before he leaves, Ash advises Sera to head home soon and be careful. His words seem to come from a place of concern, leaving Sera with mixed emotions. She is struck by how much she’s opened up to Ash, not just physically but emotionally as well. There’s a sense that they’ve both shared something meaningful, and Sera is left wondering if she will ever see him again.
As the chapter ends, the sounds of the forest return, signaling a return to normalcy. But for Sera, nothing feels the same. The night has been transformative, and the connection she formed with Ash lingers in her heart.
This chapter highlights the growing bond between Sera and Ash, blending intense physical attraction with emotional vulnerability. Their relationship continues to evolve, leaving the reader eager to see how it will develop and what challenges they may face next.
Location: Sera’s bedchamber in Wayfair Castle, overlooking the Dark Elms.
Ezra, Sera’s stepsister, comes to discuss a riot that took place the previous night in Croft’s Cross, sparked by protests against the Crown's lack of action to stop the spread of the Rot. Six people were killed, many injured, and fires destroyed homes. Some people claim the guards set the fires. This paints a picture of the growing unrest in Lasania. Ezra criticizes the guards for escalating the situation and notes the King’s late plans to address the unrest. Tavius, the heir, is absent, taking no part in the turmoil. Sera’s modest room is described, noting its stark contrast to the luxurious quarters of Ezra and Tavius, reflecting her outsider status in the royal family. The Dark Elms visible from her window serve as a reminder of the recent encounter with Ash. Sera tries to focus on the present but is distracted by memories of the previous night by the lake and her interaction with Ash. Ezra expresses frustration with the royal family’s inaction, and Sera points out Ezra would be a better ruler than Tavius because she actually cares about the people.
Sera’s Preparation to Leave (Sera’s Bedchamber)
Sera chooses not to join Ezra in helping with the riot aftermath, deciding instead to check on the Couper family, farmers affected by the Rot. She reflects on the differences between herself and Tavius and gears up for her visit, arming herself with blades (one in her boot and one on her thigh) as she dresses in a plain brown skirt and white blouse. This moment highlights her independent and practical nature, preparing herself for any situation, reflecting her need to protect herself in an uncertain world.
Location: Castle kitchens, Wayfair Castle.
Sera heads to the kitchens to gather food for the Coupers and others affected by the Rot. She interacts with Orlano, the gruff cook, who begrudgingly offers her bruised apples and potatoes that are close to going bad. This is a brief moment of levity in the chapter, showing Sera’s rapport with Orlano and the servants. Orlano hints at nobles arriving for an upcoming Rite, adding tension as the Crown is preparing for festivities while the people suffer. Sera grabs the food, recognizing the glaring disparity between the preparations for the Rite and the struggles of the common people. The brief conversation shows class tensions in the kingdom, with food being set aside for feasts while commoners starve.
Location: Road to the Couper Farm.
Sera walks along a dusty hill lined with oak trees, carrying her sack of food. The morning sun makes the journey uncomfortable, with sweat forming on her brow as she pulls her hood lower to shield herself from the heat. She reflects on her encounter with Ash by the lake the previous night, feeling no regret for what happened but acknowledging that it was likely a one-time experience. She finds herself distracted by thoughts of Ash’s touch. The landscape changes as she approaches the Massey and Couper farms, signaling the spread of the Rot. The once-vibrant jacaranda trees are now dead, their branches covered in gray, rotting material. The smell of the Rot, eerily similar to the scent of the Hunters from the night before, fills the air, adding to the foreboding sense of doom as she nears her destination.
Location: Massey Farm, outskirts of Wayfair Castle.
Sera encounters Mrs. Massey, a farmer whose land is being overtaken by the Rot. The Masseys are trying to hold on, but they fear the Rot will soon claim the rest of their crops. Mrs. Massey explains how their attempts to stop the Rot have failed and expresses her sadness that her son had to leave to find work on the ships, as there is no future for farming anymore. This scene emphasizes the impact of the Rot on the everyday lives of the kingdom’s farmers and the desperation they feel. The gray fields surrounding the Massey farm are described as barren, with only an acre of land still untainted by the Rot. Mrs. Massey mentions that wooden blockades they built to stop the spread have failed.
Location: Couper Farm, near the Massey farm.
When Sera arrives at the Couper home, she finds the door ajar and an eerie silence. As she enters the house, a thick stench hits her, and she makes the horrifying discovery that the entire Couper family has died, likely by suicide. The scene is grim and emotional, as she finds Penn, Amarys, and their children lying together in their bed, an empty vial beside Penn indicating they took their own lives. The smell of death is overwhelming, and the only sound in the house is the buzzing of flies. The home is still, with children’s toys and other personal items neatly arranged, giving a sense of tragic finality. Sera realizes that her gift didn’t warn her of their deaths because there was no life left in the house.
Anger and Determination
(Wayfair Castle, Main Hall and Stairs)
Location: Main hall
and stairs of Wayfair Castle.
Sera is furious after discovering
the death of the Couper family. As she storms through the castle, she is
overwhelmed by the contrast between the lavish preparations for the
upcoming Rite (smells of roasting meat, baking desserts, and flowers)
and the tragedy she witnessed. The image of the dead family and the abundance
of food drives her anger. The stark contrast between the grandeur of the
castle’s preparations and Sera’s frustration with the Crown’s indifference
creates a tense, emotional scene. She climbs the polished limestone stairs
to confront the King (her stepfather) about the lack of support
for the kingdom's suffering people.
Confrontation with the King and
Tavius (West Wing, King’s Private Chambers)
West Wing of the castle, King
Ernald’s private chambers.
Sera arrives at her
stepfather’s private chambers, guarded by Royal Guards. She forces her way past
them with a mix of threat and determination. Upon entering, she finds her
stepfather, King Ernald, and her stepbrother Tavius. The room is
filled with pipe tobacco smoke, and sunlight pours through the windows,
illuminating the glass figurines on the shelves (gods, Primals, animals,
buildings). These serve as a backdrop to the tense family dynamic. Sera
confronts the King and Tavius about the Couper family’s deaths, blaming
their desperation on the Crown’s failure to provide for its people. Tavius,
dismissive and cruel, blames Sera’s failure to stop the Rot for the
kingdom’s troubles. Sera and Tavius argue bitterly, with Tavius mocking the
dead farmers and suggesting they should have found other work, while Sera
counters with the realities of starvation and unemployment. The
King’s chamber is described as circular with an iron desk. The hand-blown
glass figurines collected by the King highlight his interest in things that
seem trivial compared to the crisis at hand, adding to Sera’s frustration.
Tensions Explode (King’s
Private Chambers)
As the argument escalates, Tavius
insults Sera and throws a bowl of dates at her, striking her arm. The
tension between them reaches a boiling point, and Sera nearly attacks him
before being ordered to stop by the King. King Ernald finally reprimands Tavius
for his behavior, a rare moment where the King acknowledges Tavius’s cruelty,
but he also prevents Sera from retaliating. Though furious, Sera complies with
the King’s order not to attack her stepbrother. The King tries to justify
Tavius’s behavior by saying he’s worried about the situation in the
kingdom, but Sera remains unconvinced. The room feels claustrophobic, filled
with suppressed emotions. The King’s weariness contrasts with Sera’s
passionate anger, deepening the family’s disconnection. The King’s dismissal of
the Coupers’ death as a tragedy but not something he can control leaves Sera
frustrated. He believes time will fix the Rot and the kingdom’s
problems, but Sera knows inaction will only make things worse.
Mysterious Whisper (Banquet
Hall and Alcoves)
Location: Banquet hall,
Wayfair Castle.
After leaving the King’s chambers,
Sera walks through the castle, headed to meet Sir Holland for training.
As she passes through the banquet hall, she hears a faint whisper:
“Please. Someone… Help me.” The banquet hall is empty, and the sound appears to
be coming from one of the candlelit alcoves leading to a meeting room.
Sera, suspecting something is wrong, approaches the room cautiously. Inside the
room, Sera finds a young kitchen servant (one she’d noticed earlier
praying in the kitchens) kneeling beside a table. The girl looks nervous and
pale, her eyes darting toward the door behind Sera. Sera quickly realizes that
the situation isn’t right—the servant girl’s clothes are pristine, and there’s
no sign of distress. The door suddenly closes and locks behind her, confirming
that she’s walked into a trap. The chapter ends with the ominous
realization that Sera has been lured into a dangerous situation.
This chapter continues to
highlight the growing divide between the Crown and the people of
Lasania, as Sera struggles to make her stepfather and Tavius understand the
urgency of the situation. The trap at the end signals a dangerous shift
in the storyline, leaving readers on edge for what’s to come next.
Location: A private chamber in Wayfair Castle.
Sera finds herself trapped by a group of attackers after being lured into the chamber by a servant girl. As Sera processes the situation, she quickly realizes she has been set up by three Royal Guards, who are paid to eliminate her. The prickle of danger and the sense of betrayal from the servant sets the stage for the confrontation. Sera reveals she knows what’s coming: violence. She braces for the attack, ready with her knife hidden in her boot, and tries to reason with them, suspecting rumors about her being cursed or a target because of the Rot. The guards admit they're only motivated by coin, which escalates the tension. Sera engages in a brutal fight with the guards. She uses her skill and quick thinking, utilizing the small blade from her boot and surprising the guards with her agility. The fight is fast-paced, culminating in a messy, bloody scene where Sera ends up killing all three guards, leaving their blood staining the ivory carpet. The tension is heightened by Sera’s internal reflections on the cost of taking a life and the marks each death leaves behind, a sentiment she recalls from her conversation with Ash.
Confrontation with the Servant (Same Chamber)
Location: Same chamber, Wayfair Castle.
After dispatching the guards, Sera confronts the terrified servant girl, who claims she didn’t want to be involved and was coerced into the situation. Sera questions her, but the girl insists she doesn’t know who orchestrated the attack, claiming she thought Sera was just a handmaiden. Sera’s Suspicion: Sera suspects that her stepbrother Tavius is behind the attack, recalling his earlier taunts and wondering if he had the resources to pull it off. She isn’t certain if the servant is telling the truth or simply trying to avoid punishment.The broken vase and blood-soaked carpet add to the chaotic, violent scene. Sera notes the aftermath of the fight, remarking grimly on how the carpet will never recover from the bloodstains, which adds a dark, almost humorous touch to the grim situation.
Arrival of the God (Same Chamber, Wayfair Castle)
Location: Same chamber, Wayfair Castle.
Royal Guards enter the chamber after the fight, but the figure that catches Sera’s attention is an unfamiliar golden-skinned god who arrives alongside her mother, the Queen. The god has gold facial paint resembling wings and pale, ethereal eyes, signaling his divine nature. The god, later revealed as Callum from the Court of Dalos, surveys the scene with an unsettling grin, and Sera immediately feels uneasy. Despite her mother’s pale reaction, she pretends to believe Sera’s lie that she “found them like this.” The presence of the god adds weight to the moment, as gods rarely intervene in such mortal affairs.
Reflection and Speculation (Healer Dirks’ Courtyard)
Location: Healer Dirks’ home in the Garden District, courtyard.
The following afternoon, Sera helps Ezra wash linens at Healer Dirks’ home, where those injured in the recent protests are being treated. As they hang linens, the two discuss the attack and speculate about Tavius’s involvement. Sera remains convinced Tavius orchestrated the attack, though Ezra is less certain, pointing out that Tavius likely doesn’t have enough money. Ezra suggests investigating the servant girl, fearing she might still pose a threat. Sera is torn, not wanting to punish a potentially innocent person. The scene is quieter and reflective compared to the earlier chaos, giving both characters a chance to discuss the incident. The presence of Royal Guards around the courtyard hints at the lingering tension and danger.
Gift from a God (Courtyard and Street, Outside Dirks’ Home)
Location: Courtyard and street outside Healer Dirks’ home.
As Sera finishes her conversation with Ezra, she notices a stranger near the carriage—a tall, fair-haired man with glowing amber eyes and an unsettling aura. His appearance unnerves Sera, especially when she realizes that the sunlight doesn’t seem to touch him. He introduces himself as Ector, a god, and hands Sera a wooden box. Without explaining much, he tells her it’s for her. Sera’s Gift: Alone in the shadows, Sera opens the box and discovers a magnificent dagger, crafted from shadowstone. The hilt is shaped like a crescent moon, and the blade is etched with the design of a dragon, symbolizing power. Sera immediately knows the gift is from Ash, feeling a deep emotional connection to the dagger. It’s the first meaningful gift she’s ever received, and it leaves her both emotional and grateful. The dagger represents more than just a weapon—it’s a symbol of care and recognition, something Sera has never experienced from anyone else. The moment is a powerful reminder of her connection to Ash, solidifying their growing bond.
This chapter balances intense action with moments of emotional depth, as Sera navigates the physical danger of the ambush and the personal impact of receiving a meaningful gift from Ash. The shadowstone dagger serves as a symbol of both power and connection, representing Sera’s growing ties to the gods and her evolving sense of self.
Location: Stonehill, where Odetta’s family lives.
Sera attends the funeral of Odetta, a woman she thought of as family. Upon visiting Odetta's room and finding it being stripped, Sera realizes Odetta has passed away, just as Odetta had warned. She silently joins the small group of mourners at Stonehill, where Sir Holland and Ezra stand by her side, offering silent support. As the pyre is lit and Odetta’s body is consumed by the flames, Sera reflects on Odetta's passing, knowing she is now in the Shadowlands. The scene is somber, with the salty breeze from the sea and the flames symbolizing both closure and the end of Odetta's journey in this world. Sera's quiet resignation shows her acceptance of death, a theme closely tied to her relationship with the gods and the Vale.
Location: Wayfair Castle, training room and Sera’s chambers.
The next morning, Sera wakes with a throbbing headache that worsens throughout the day, affecting her performance during training with Sir Holland. She feels queasy and tired, leading Sir Holland to send her back to her chambers to rest. His concern is evident as he prepares a healing brew for her, made with herbs like chasteberry, chamomile, fennel, willow, and peppermint. Back in her room, Sera drinks the potion, and her headache begins to ease. Sir Holland shares a story about Sotoria, a young woman who was brought back from the dead against her will by someone obsessed with her, making an unsettling comparison between Sera and Sotoria. The story reflects Sera's inner struggles with control and power in her life. Sera's discomfort and fatigue are physical representations of the emotional weight she carries, especially with the recent death of Odetta and her continued questioning of her role and fate. The potion acts as a temporary relief, both from her illness and her burdens.
Location: Sera’s chambers, Wayfair Castle.
After drinking the potion and resting, Sera feels better but discovers blood in her mouth when brushing her teeth. This sudden appearance of blood is alarming, raising concerns about her health or a deeper, more mystical issue related to her connection to the gods. The discovery of blood adds an ominous, foreboding tone to the chapter. It hints that something is not right with Sera physically or spiritually, contributing to the growing tension in her story.
Location: Sun Temple, Carsodonia.
Dressed as one of the Queen’s handmaidens, Sera attends the Rite at the Sun Temple. The Temple, made of crushed diamond and limestone, reflects the sun, adding a radiant, almost divine energy to the scene. Inside, nobles, merchants, and landowners gather to witness the Ascension of the Chosen, a male who is prepared for his transformation. Sera observes the Sun Priests and the crowd, spotting her mother, the Queen, and her stepsiblings, Ezra and Tavius. The atmosphere is both grand and oppressive, as the Temple is filled with a palpable energy, especially when Kolis, the Primal of Life, arrives in a flash of silver eather. His divine presence is overwhelming, and when his gaze sweeps over the crowd, Sera feels it land on her, sending a shiver down her spine. The Sun Temple is a place of power, both majestic and unsettling, with the arrival of Kolis heightening the tension. The sense of divine judgment and Sera’s discomfort emphasize her complicated relationship with the gods and her destiny as the Chosen One.
Location: Primal Gardens and Stables, Wayfair Castle.
Later that night, after avoiding her mother during the Rite's celebrations, Sera wanders the Primal Gardens. While there, she encounters Ezra, who is covered in blood and appears distraught. Sera immediately asks if someone has harmed her, prepared to exact vengeance, but Ezra assures her that the blood isn’t hers. Ezra reveals that the blood belongs to her childhood friend, Mari, who died after an altercation while helping a young girl from the streets. The two go to the stables, where Mari’s body lies slumped in the carriage. Though Sera confirms that Mari is dead, Ezra hints at the possibility of bringing her back, suggesting that Sera has the power to reverse death. This scene is filled with tension and desperation as Ezra looks to Sera for help in a morally ambiguous situation. The presence of the dead body in the carriage adds a dark, grim element, while Ezra’s plea to save Mari creates a moment of emotional conflict for Sera, who is already burdened by her role and abilities.
This chapter touches on themes of death, power, and destiny as Sera faces the reality of her abilities and the burden of the Ascension. Her encounter with Ezra and the moral dilemma of saving Mari add to the complexity of her character, as she navigates the fine line between life and death, both for herself and others.